Showing posts with label Harry J. Wild. Show all posts
Showing posts with label Harry J. Wild. Show all posts

Sunday, February 08, 2015

Macao (1952)

8/10 - More Robert Mitchum noir. Mitch teams up again with Jane Russell in this 1952 film about American ex-pats who get entangled in a web of crime in Macao. Josef von Sternberg is credited as director, and it certainly bears some of his hallmark mysterious Asian exotica. I kept waiting (hoping) for Marlene Dietrich to show up, but no such luck. We do get Gloria Grahame, however, so at least there’s that. But Sternberg was fired by producer Howard Hughes during production and Nicholas Ray (Grahame’s husband at the time) finished directing the film, with Mitchum actually writing sections of the movie in an effort to string everything together. Despite some unevenness here and there, it’s a solid noir, with excellent camera work again by Harry J. Wild (who was also shot the previous Mitchum-Russell movie His Kind of Woman.) There’s a gorgeous chase scene at night through sampans docked in the harbor, so you have Mitchum and others maneuvering through lots of fishing nets while precariously balanced on dark water. Mitchum, Russell and the always reliable William Bendix disembark in Macao and immediately become involved with another American who runs the biggest casino on the island. As it turns out, someone’s a cop working undercover, and the plot twists around as different characters try to figure out who is who and who’s helping who and who’s going to wind up with who. (Okay, that last one is never really a mystery.) Mitchum and Russell once again have great chemistry – I wish they had done more films together. Macao was Sternberg’s first film since 1941’s interesting The Shanghai Gesture, and it would be his last Hollywood project. No one will mistake it for his early masterpieces with Marlene, nor will Macao ever be ranked among the greatest noirs, but it has a lot going for it.

Saturday, February 07, 2015

His Kind of Woman (1951)

8.5/10 - Currently enjoying a streak of great Robert Mitchum noirs from the late 40s / early 50s, and it started with this one. His Kind of a Woman somehow manages to combine classic film noir elements, action, psychotic violence, and a healthy dose of comedy (though not of the Monty Python variety, as the back of the DVD weirdly claimed). Mitchum plays Dan Milner, a down-on-his-luck gambler who’s set up by high-level mobsters who then “offer” him a large sum of money to go down to an isolated resort in Mexico and wait for instructions on the job they want done. On the flight down, he encounters Jane Russell, the girlfriend of a famous actor – played deliriously by Vincent Price – who’s on a hunting trip at the lodge. The first half of the film has a languid, mysterious atmosphere as Mitchum waits around at the lodge, encountering a strange array of characters, including a sexually predatory Jim Backus (!), and trying to figure out what’s going on. What he doesn’t know is that he’s become involved in a scheme to get a major gangster (Raymond Burr) that’s been deported to Italy back into the United States. Mitchum and Russell sizzle together (they would be re-matched a year later in another great noir, Macao, and, according to the bonus feature, became lifelong friends), but Vincent Price almost steals the show as a hammy, fed-up actor who finally finds himself when he’s actually shooting at bad guys, quoting bits of Shakespeare along the way. The story’s a little convoluted, the product of Howard Hughes re-doing much of the film after the initial version by John Farrow (Mia’s father). The last section alone includes a particularly brutal beating scene (for 1951), a terrifying Nazi serum(!), shootouts, and a swashbuckling fight aboard a yacht, but it’s ultimately quite entertaining. The cinematographer, Harry J. Wild, was a noir veteran (Murder My Sweet, Cornered, The Big Steal) and does a great job with the shadows and angles, making the most of the elaborate Mexican resort set. The casting is terrific. Russell is stunning looking (that according to Alexandra, and I would not disagree) and a lot of fun on screen. Robert Mitchum is, well, just his bad-ass self. His Kind of Woman is a bit of an odd duck as a film noir, with the comic elements and over-elaborate plot twists, but it conjures up just enough of the existential angst before turning into something of a romp. I saw it alone the first time and enjoyed it so much I made Alexandra watch it, and it only got better the second time. Very entertaining.